Design With Reason: The "Listen With Reason" Column 10.22.01
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Why a column like this? Because too many web sites seem devoid of personality. Because the world of newspaper design can always use a little more dialogue. And because, hey, it's my web site. So I thought, why not create the first regular online column about newspaper design, on the first web site devoted to newspaper design? Why "Listen With Reason?" Because "Listen to ..." sounded a little too preachy.



Back to home page:
www.ronreason.com
(more tips on newspaper design, graphics and editing).


[Note: This column was simultaneously published in the Fall 2001 issue of SND's Design Magazine. It was written before the events of Sept. 11.]

Welcome to journalism, 2001: Newspapers, magazines and web sites are slashing budgets. Scaling back coverage of some areas. Killing sections. Laying off or freezing hires (in some shops, design and copy desk ranks seem particularly slammed). Why would anyone consider a career in this field, at this time? This was the question I posed recently on this web site, seeking input from college students and others. The following correspondence I received should reassure even the most hardened cynics among us.
* * *
From Danielle Newman, news designer, St. Louis Post-Dispatch (University of Maryland grad, 1999):
"I read your question about why young people would ever want to work in visual journalism these days. I love my job. Because it's not a typical job, because I work on something new almost every day, and because I believe that if I'm good at what I do, I won't have to worry about losing my job in the future. (Did you see the movie "Artificial Intelligence?" What did the dad read at the breakfast table? A newspaper. Not a futuristic, electronic, hand-held version of a newspaper, but an honest-to-God, fold-the-pages-as-you-go newspaper.)
"What draws me specifically to design and editing? It's an outlet for me to express my creativity and appreciation for art, even though I'm really not a skilled painter, illustrator or sculptor. It's also a field that not many young people are interested in (no bylines... no glory...). I got to start out at a large metro daily, while most of my extremely talented writer friends struggled to find jobs anywhere, not because they're not good, but because the market's flooded with reporters.
"I do get frustrated with my job sometimes (doesn't everybody?), but overall, I think visual journalism is pretty fun."
* * *

From Francie Krantz, designer, The (Myrtle Beach) Sun News:
"I graduated from Mizzou six months ago and am now (thankfully) employed as a newspaper designer. I've known I wanted to work in newspapers since I was 11, even though it's been a short time since I found my niche in design. Despite all the flashiness of the web, broadcast and other media, I think the newspaper business is the true womb of journalism. If you think of it, it's where journalism was born. And despite the threats from its other siblings joining the fray - radio, TV, internet, even Palm Pilots - it endures. It is the granddaddy. And even today, it seems all of the other media are still dependent on that age-old print establishment, the Associated Press.
"As a designer, I think newspapers are the only place where my talent can truly shine. The web is all a bunch of 0s and 1s and complexity. There is nothing like the open blank page, even if it is a bit narrower now. Sure, it's here today and gone the next, but a career in newspapers is contagious, and once you taste the thrill of a deadline and the rush of seeing your work in print, you're infected for life.
"Yeah, my explanation may not make a whole lot of sense to some - I have been here staring at a screen and designing for eight hours. But then again, how much sense do you encounter every day in journalism? We're all a bunch of nuts anyway."

* * *

From Andrew Reese, copy desk intern, The Wall Street Journal (senior, Auburn University):
"All the college students I've met are entering the newspaper business because they really can't think of any other job that's quite as rewarding. This is a labor of love - not about getting rich, maybe not even about job security. It's about being able to get up in the morning (or, in the case of copy editors and designers, at about noon) and looking forward to going to work, looking forward to a day that's never quite the same - a day during which you'll provide something of tangible good to readers.
"Maybe, if you're lucky, you'll play a role in righting wrongs and stopping the bad guy. I know that's rare. But every day on a newspaper, whether you're writing, designing, taking photos or editing, you're contributing something to your readers. And the privilege of doing that - or, heck, just watching it happen - is something the MBAs of the world don't have the opportunity to do. Sure, they've got money, but they don't get to be part of the magic."
* * *

Suddenly it's all coming back to me - the same reasons I went into this crazy field nearly 20 years ago. I guess we can all finish our web break now, and get back to being part of the magic!
Footnote from Oct. 22: Was thrilled to meet a handful of the 11 or so enthusiastic design students from Ball State University this past weekend, while attending the annual SND conference in Phoenix. Glad to see enthusiasm among our younger ranks, glad to see them taking the time and effort to attend the conference!


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News Design Poll
Sept. 21 Topic: In covering the terrorist attacks, is it appropriate to print full-page U.S. flags, or use red, white & blue in other iconic design elements?

Yes, this is a time to show our readers we are patriots and human beings, as well as journalists.
No, it's crossing the line of objectivity for newspapers to exploit patriotic visuals like this.
I have no opinion on this topic.


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Web posted: Oct. 22, 2001.
design@ronreason.com